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CLASSICAL DISPOSITION

 
          
 

The classical line is the longest possible line

 
 

the human body can do.

 
          
 Ballet is the science of the human body. 
 On stage it becomes an art form. 
          
 Ballet is the harmony of the human body. 
          
 Ballet teaches the harmony of the human body. 
          
 Compare oneself to excellence. 
 Not to another dancer. 
          
 The turnout makes possible for the human body 
 to excel, — 
 to loose gravity, to loose the grave — 
 and become one with the angels. 
          
 Nothing can be hidden on the stage. 
 It reveals absolutely everything. 
          
 When ballet is done right, 
 it is the utmost therapy 
 for the human body, and soul. 
 When it is done wrong, 
 it is the sorriest catastrophe. 
 Destructive in every way. 
          
 Ballet does not cause injury. 
 Doing something wrong causes injury. 
          
 Ballet is 50% rhythm, 50% placement. 
 Music is 50% rhythm, 50% placement. 
          
 Don’t think, just do it. 
          
 We train the intuition, not the intellect. 
          
 Facts you forget, 
 but the feeling you never forget. 
          
 Not being perfect, 
 but aiming for perfection. 
          
 Good habits. Bad habits. 
 Good habits make a dancer. 
 Bad habits make not a dancer. 
          
 Ballet exists in it's quality. 
 Ballet does not exist otherwise. 
 Otherwise there is no ballet. 
          
 Often it is said: Less is more. 
 At the same time: More is less. 
 That is: Less is more, and more is less. 
 Think about it. 
          
 
 
            
            
            
  Nurturing The Best In Ballet 
  And Other Art Forms 
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 BALLET MIRROR 
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 Timeless Ballet Inspiration 
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 and for all who love ballet 
            
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  BALLET MIRROR  
  The Ballet Magazine  
   by dancers for dancers  
   and for all who love ballet  
 
 
 

BALLET MIRROR
The Ballet Magazine
is Dedicated
to Preserve and to Promote
the Purity of Ballet,
as a Language and an Art Form.
 
 
  
  
  
  
  
 
 
  BALLET MIRROR  
  The Ballet Magazine  
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 INTERNATIONAL BALLET SOCIETY 
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バレエ 古典的な傾向

 
          
 

クラシカルな線は、

 
 

人体でできるもっとも長い線である。

 
          
 バレエは人体の科学であり、 
 舞台上でそれは芸術の形となる。 
          
 バレエは人体の調和である。 
          
 バレエの教えは人体の調和である。 
          
 自分自身を上質な者と比較せよ。 
 一般のダンサーと比較してはならない。 
          
 ターンアウトを完成することによっ 
 て人体の飛躍が可能になる 
 重力から放たれ、 
 人体は天使同様になる。 
          
 舞台上では何事をも隠すことはできない。 
 そこではすべてが明らかにされる。 
          
 バレエが正しく上演された時、 
 それは人の心と体にとっ 
 て最大の療養となる。 
 バレエが誤って上演された時、 
 それは最も悲惨な出来事であり、 
 すべてにおいて破壊的である。 
          
 バレエは怪我の原因ではない。 
 間違ったやり方が怪我を招く。 
          
 バレエはリズムが半分、配置が半分。 
 音楽はリズムが半分、配置が半分。 
          
 思考せず、実行せよ。 
          
 知性ではなく、直観を私たちは養う。 
          
 事実は忘れても、 
 決して感情を忘れてはならない。 
          
 完璧であることではなく、 
 完璧を目指すこと。 
          
 良い習慣、悪い習慣。 
 Good habits make a dancer. 
 Bad habits make not a dancer. 
          
 Ballet exists in it's quality. 
 Ballet does not exists otherwise. 
 Otherwise there is no ballet. 
          
 Often it is said: Less is more. 
 At the same time: More is less. 
 That is: Less is more, and more is less. 
 Think about it. 
          
 
 
 Japanese Translation is Courtesy of 
   Kenichi Tsuda   
            
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